woooooo false! fuck yeah! oooooo yeah false! fuck yeah baby! false supremecy! oh yeah this is awesome! woooo false! yeah! falsie! hell yeah false! can we get a hell yeah for false! because hell yeah! fuck yeah false! oh yeah, you know what time it is! false! here! in my website! so cool! what a time to be alive! hell yeah! fuck yeah! false!

meltdown

if you're unfamiliar with meltdown and wound up on this website somehow, you can read it here!

otherwise, here's the collection of the fic art i've done for it:

chapter 1:

A dark, grungy piece, with mostly desaturated blues comprising the color palette. Rubble lines the foreground, and, in the midground, two tiny figures are barely distinguishable. One is attempting to
                crawl away from the other, of whom is looking down at them. Through inference, one can deem that the figure crawling away is False, and the figure standing above her is Grimdog. In the background is a building with a broken
                window and a few other buildings, all to create a shattered cityscape. The moon shines through some clouds, outlining the various elements of the image in rim lighting. At the top of the image is a logo for Meltdown, in
                complete grayscale, in a rough brush. The middle of the logo is dripping down. A monochrome red piece, with three segments of cityscape framing False, of whom is flying through the air. She's colored in a bright, vicious red, and is clutching at an energy beam hitting her in the stomach. A rough piece that looks akin to charcoal, in a dark blue color. The back of False's head is in the foreground,
                looking up at Grimdog, of whom is staring down at her as he cradles her in his arms. He's framed in the background with heavy applications of color.

chapter 2:

A piece comprised of three panels, with stark dark lineart, minimal hatching and cross hatching, and a limited color palette of orange and yellow. False is depicted in a side portrait on the left from bust above, with a shocked look on her face, lips parted. She's clad in her superhero costume. On the right is a framed panel of a close-up of a shut eye, with eyebags and wrinkles. This can be inferred to be Grimdog. On the panel below, he is holding his mask in his hand, with the background comprised of stark dark orange. Outside of these elements, the image is transparent.

chapter 3:

A digitally-rendered image artwork of Grimdog with his mask in his hand, revealing his face. He has on a hood, a red and grey bodysuit with a deep neckline, and a sash around his waist. He's smiling softly at the viewer. Behind him is a low-opacity square of yellow.

An ink-looking bust shot of Ren, glaring to the left, sunglasses down his nose. Hair falls down and curls around his face.

A digitally-rendered image of Ren and False, in soft yellow, pink, and purple tones. Ren sits behind False, guiding a bralette up her arms, while she sits, mouth slightly parted. He's wearing a t-shirt and boxers, and she's wearing a pair of panties. One of her perky breasts are visible. Due to the shadow obscuring Ren's eye, it's impossible to tell where he's looking.

chapter 5:

A digitally-rendered, textured illustration of False in a palette of yellow. She is staring up at the viewer, implied to be Ren, with a defiant expression on her face. Behind her is a jalapeƱo plant and a few other plants and background elements in the screened porch. She is wearing a t-shirt and has her hair down.

A flat-colored gif of Martyn. He is wearing a pink tube top, dark choker, green headband, and bracelet. His eyes change color from yellow to orange to red gradually. He is posed leaned forward, arms pressed on an invisible flat surface, as if he's at a table.

chapter 7:

A digitally-rendered image of Ren, False, and Martyn, in harsh dark olive green and deep crimson, with highlights of white. Ren is hugging a crying False, nose buried in her hair, expression indiscernable. Martyn watches them, an expression crossed between agonized and saddened. The majority of the highlights congregate around False, but some hit Ren and Martyn, too. The background is patterned with leaves.

chapter 9:

A digital illustration of False kneeling, shaded in white and dark blue. Behind her is a slab of concrete depicting herself being crushed.

A digital illustration of False sitting on a tree trunk, the camera angled up to look at her. Her hands are clasped, and her face is obfuscated by her hair. The lineart is wavey and rough, and
                    the background is a muted olive green.

A digital illustration of False and Ren. Ren is holding False, only looking a little bit creepy and elated about it in the process, with an erect nipple. False is far more relaxed in his arms and is leaning into him. The lineart
                    style is rough and pencilled, and the rendering is smooth, from a dark blue to a orangish red.

chapter 10:

A digital illustration set against real collage elements. False and Martyn are depicted in a sketchy style, with flat colors and messy lineart of oranges and dark reds. In the background are images taken from a magazine of a dead tree branch and a fancy bracelet with chunky floral charms.

chapter 11:

A traditional watercolor and digital illustration. False, depicted with digital lineart, is flying in amongst dark clouds.

chapter 12:

Currently lacking alt text; please yell at jibbingjibberish and it will be fixed soon!

Currently lacking alt text; please yell at jibbingjibberish and it will be fixed soon!

chapter 13:

A dark image of Grimdog staring at the viewer. The only thing visible on his face is a red glow emenating from an eye. The background is dark blue watercolor.

A digital, collage, and watercolor illustration. False is silhouetted with radiant textures against collaged trees and buildings and cityscapes. Behind that, the background is dark blue and red watercolor.

chapter 14:

A dark illustration of the Magistrate from the tits up. He's colored a simple, flat red, with a vignette of dark purple around. His eyes glow a purple. Behind him are splotches of ink and dark lines, meant to resemble his powers, as well as some glitch particles.

chapter 15:

A lineup of the Moguls; from left to right: Skizz, with a forlorn expression, lips parted; Pearl, smiling gently; Gem, looking guilty; Scar, excited gleam to him; Grian, looking annoyed. Skizz and Grian take up the most room, and Grian's hair obfuscates part of Scar's face. The piece has a pencil-akin lineart stylized with watercolor, and is in shades of pink, purple, and red.

chapter 16:

A traditional collage piece with digital lineart. The collage consists of magazine cuts of different trees and folliage, edited to appear darker, like a nighttime scene. A white digital lineart depiction of False stands before, her back facing the camera.

A digital illustration of a mask. The mask itself is completely dark, with two red circles emanating out appearing to be eyes.